Tragicomic Fiction Author

Category: Poetry

Book Review: Let’s Go (So We Can Get Back), by Jeff Tweedy

Jeff Tweedy

Photo by Chris SikichCC BY 2.0

A review of Let’s Go (So We Can Get Back): A Memoir of Recording and Discording with Wilco, Etc. by Jeff Tweedy

I’m partial to the occasional rock star biography, so when I saw Let’s Go (So We Can Get Back), by Jeff Tweedy, the lead singer and songwriter of Wilco, one of my all-time favourite bands, amongst the pile of books for sale at the 2019 Auckland Writers Festival, I snapped it up. 

Let's Go (So We Can Get Back), by Jeff Tweedy

There’s no guarantee that just because you can write great songs, you can write great books, but on this occasion, Tweedy manages it.  As is usual with rock star biographies, some space is devoted to exploring the personality conflicts between bandmates, but there’s a warmth and humility to the writing that is atypical for the genre. There’s no braggadocio to these anecdotes, nor does Tweedy have any axes to grind. He’s happy to admit that he only got to where he is today with the assistance of others, most notably his family. The book includes a couple of transcribed conversations with his wife and children which provide an authentic insight into their family dynamic. It’s a little gimmicky, perhaps, but it works. It also delves into Tweedy’s struggles with mental health, drugs, and addiction in a way that is refreshingly honest. 

What I most enjoyed about the book was the personal exploration of both Tweedy’s dedication to songwriting (he tries to write a song every day), and his songwriting process. Tweedy’s lyrics are often open to interpretation, and it’s no wonder when one of the lyric writing exercises he uses is to take a list of random verbs and another list of random nouns and then pair them up. “It might start as gibberish,” he says, “but it’s amazing how hard it is to put words next to each other without some meaning being generated.” Inclined to agree, I thought I’d try it out. Here’s the list I came up with (I swear these were the first words that popped into my head):

Nouns
Chicken
Refrigerator
Tractor
Laptop
Children

Verbs
Run
Fry
Smoke
Swim
Love

And here’s the resulting ‘lyric’. Appropriately, for a verse inspired by Jeff Tweedy, I can hear it as an Alt-Country song called something along the lines of The Modern Farmer.

Hangry
Laptop fried and tractor smoking,
I run inside and scan the refrigerator.
It’s empty.
Aside from a lone chicken wing,
Swimming in brown sauce.
I love my children
But man, can they eat.

Anyway, back to the book. If you’re a Wilco fan, then I highly recommend it. If you’ve never heard of Wilco but like rock star biographies, you might enjoy it too. Then go listen to some Wilco. They’re awesome.

Are you a Wilco fan? Do you like rock-star biographies? Read any good ones lately? Let me know in the comments.


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A gritty and engaging story of human faults, fears, and frailty, What Friends Are For is the prequel short story to my tragicomic novel, Taking the Plunge. Introduce yourself to the characters from the novel and find out where it all begins for Kate, Tracy, Evan and Lawrence.

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Where I’m From

I’ve just finished my first week back at school for the year. It’s always a bit of a shock to the system to get back into teaching mode again but it went well — lots of fresh faces, enthusiasm and an atmosphere of positivity. One of my goals this year is to do more poetry in my English classes, and in pursuit of this goal I tried a poetry exercise that came from Micah Bournes, a Californian poet and musician who visited our school a few years ago. I was really pleased with how well it worked and thought I’d share the results.

The exercise is called ‘Where I’m From‘, and here’s the one my Year 12 class wrote together. I think it’s rather lovely.

Where I’m From

I am from eyelash extensions and Pantene.
I’m from the white house with concrete for lawns.
I’m from the oak tree and the sunflower,
From Sunday family breakfasts, mouths full of swear words, from Bayly and Kathleen.
I am from fighting and arguments in the middle of the street,
From “don’t do drugs” and “do the mahi, get the treats.”
From playing games and watching the stock cars,
From Opononi, from hangis and boil-up,
From nearly killing Nana when pulling wheelies on my motorcycle.
I’m from a treasured box of photos that makes me feel both happy and sad. 

Here’s a picture of the instructions, or poetic recipe, if you like, that we used.

Instructions for Where I'm From poem.

Here’s the one my Year 10 class wrote together. You can see the maturity level has dropped a little (maybe more than a little), but I still like it.

Where I’m From

I am from pencils and Supreme.
I’m from the pink house with the orange trim.
I’m from maple trees and cauliflower,
From dancing round the Christmas tree,
From the worst car on the street, from Uncle Bob and Uncle Jared.
I am from unflushed toilets and rescuing random animals.
From “Santa’s real” and “your dad will be back in five minutes.”
I’m from colander helmets and touching feet,
From New England, eggplant and broccoli rice.
I’m from an older brother who would sit on my chest, hold my hands down and tickle me until I cried.
I’m from a cabinet in the hallway, stuffed with old shit we found underground.

Want to try it yourself? Leave a comment; I’d love to know how it went.


FREE BOOK!

What Friends Are For, by J.B. Reynolds

A gritty and engaging story of human faults, fears, and frailty, What Friends Are For is the prequel short story to my tragicomic novel, Taking the Plunge. Introduce yourself to the characters from the novel and find out where it all begins for Kate, Tracy, Evan and Lawrence.

GET YOUR FREE BOOK >>

Baz Luhrmann’s Romeo and Juliet: A Reflection on the Frustrating Experience of Teaching Shakespeare to High School Students

But soft! What light through yonder window breaks?

It is the east and Juliet is the sun.

Baz Luhrmann's Romeo and Juliet

When I recently gave my Year 10 English class a selection of movies to choose from for their upcoming film study, I was surprised when the overwhelming majority of them (and not just girls) picked Baz Luhrmann’s Romeo and Juliet. So far in my teaching career I’ve steered clear of Shakespeare, mostly because I’ve found students struggle enough with the vagaries of contemporary English — without introducing the confusion of an archaic, four-hundred-year-old dialect.

My reluctance was borne out when after watching the film, the overwhelming majority of the class were of the opinion that they hated it.

“That was the dumbest movie I’ve ever seen,” said one student.

“Totally gay,” ventured another.

“I didn’t understand anything they said,” said several more. “Can we watch something else?”

High on Shakespearean love poetry, I was unsympathetic to their cause. “No! I gave you a choice. I warned you about the language and still, this is what you chose. It’s your own fault — we’re not going back now.”

So for the last couple of weeks we’ve taken a closer look at ‘the greatest love story ever told’. While I don’t think I’ve managed to turn any of the haters around yet, I’m fairly certain I’ve at least managed to increase the general level of understanding.

Anyway, I’ve enjoyed it, and that’s important (trying to teach content that you’re not interested in yourself can become very tedious very quickly). As an introduction to Shakespeare for the beginner, I highly rate Luhrmann’s version, released in 1996. It gets stick from Shakespeare purists because there’s nothing remotely subtle about it — Luhrmann doesn’t really do subtle — and the whole production is completely over the top.

For instance, if there was any doubt that all the guns that are waved about onscreen are supposed to be modern representations of bladed weapons, Luhrmann gives us close up shots of the guns with their model names engraved into them — Sword, Dagger, Rapier etc. — just to make sure the representation is painfully clear.

And to ensure there’s no confusion between members of the two feuding families, the differences between them are made blatantly obvious. The Montague boys are loud and raucous; dressed in unbuttoned Hawaiian shirts and driving a bright yellow convertible, their arrival is accompanied by grinding rock music.

The dark and sinister Capulets, on the other hand, wear tailored suits with waistcoats and fancy shoes and drive a dark blue saloon, their presence announced by fluid strains of Latino style surf guitar.

But that’s exactly why it’s so great for newbies. There’s no need to understand anything the characters say because all the other visual and aural cues make it clear what’s going on in the story.

It also helps that the acting is tremendous — Leonardo DiCaprio totally inhabits the role of Romeo, and while Claire Danes might be a little less convincing as Juliet, it’s only because Leo is so good. The performances of the supporting cast are also uniformly excellent. If you’ve never seen it, there’s plenty worse ways to spend two hours of your life.

Teenagers are a tough crowd though. Not even the tragic ending where Romeo drinks poison and Juliet shoots herself was enough to sway them. “Should’ve been more blood,” they all reckoned.

“Isn’t that what all girls want?” I asked. “A boy who’s willing to die for them?”

“What use is a boyfriend if he’s dead?” came the reply.

It’s hard to argue with that.

This week we’re getting up close and personal with the infamous ‘balcony scene’. Can one of the greatest romantic encounters in the history of storytelling melt the stone-cold cynical hearts of the type of people who routinely begin and end relationships via Messenger and who think that getting married to someone the day after you meet them for the first time is stupid?

I’m not holding my breath.

Poor Shakespeare. Love ain’t what it used to be.

Are you a fan of Romeo and Juliet? Why or why not? Let me know in the comments.


FREE BOOK!

What Friends Are For, by J.B. Reynolds

A gritty and engaging story of human faults, fears, and frailty, What Friends Are For is the prequel short story to my tragicomic novel, Taking the Plunge. Introduce yourself to the characters from the novel and find out where it all begins for Kate, Tracy, Evan and Lawrence.

GET YOUR FREE BOOK >>

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